Making Public / Art
SoundUnit a public art sculpture, commissioned by Rolls-Royce, Chichester District Council and the University of Chichester.
Exhibition and opening 17.06 – 30.07.2010 artOne building, University of Chichester
Making art also means making public
For the public art commission I created a sort of pavilion, which functions as art and at the same time as an outdoor gallery space or a place to make something public. It is an easily recognisable place on the campus, a place to meet or take a break. In a way the artwork occupies 2 worlds. First as object belonging to a category of art works, primarily linked to artists. Second as context, a situation to frame the art, which is primarily linked to exhibiting or making public. Because I have consciously blurred the two positions as object and context, the artwork ‘SoundUnit’ fits not easily into the standard art categories.
In the exhibition I have extended this strategy by opening up ways to explore the idea that making art also means making public. Not only in the sense of display and exhibition, but also in the sense that each art work creates a situation and an audience.
The new media works in this exhibition situate drawings and photographs of the making of ‘SoundUnit’ within the high temples of art or within the major gallery spaces of art. It poses questions about the validation of art and artists. Questions every art student will have to consider during their education. At the same time, the audience should consider these questions as well.
Drawing for SoundUnit
Images of construction
Walter van Rijn, SoundUnit, Public Art Sculpture (2006-2009).
Brick, plaster and paint, 5 x 3.5 x 1.8 M.
Initiated by Rolls-Royce, commissioned by Chichester District Council and University of Chichester.
Build by Swatton Landscape (Steven Swatton) 2009.
Ellipse with 3 foci algorithm by Robin Hankin.